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The Secret of the Reggae Feel lies in using the best drum samples

The magic of the reggae feel: Making you move!

What is it about reggae music that just makes your head swing and your feet want to move? the secret lies in that the top reggae producers use the best drum samples to simply get you into the groove man!


hip hop drum samples



How come it seems that almost everybody bounces the same way as soon as a solid reggae song is played? What exactly is it that triggers us, time and time again?It is the rhythm of the drum samples, the feel or the swing , if you may.

While these words can actually mean different things, they’re often used interchangeably to describe how a piece of music affects your eagerness to start moving to it. Of course, how certain rhythms or feels affect you is personal, and it might be different to how others are experiencing it. But, there are some principals and lessons to be thought that can clear up mythical concept of swing.

Straight and swing

First of all, let’s go back to the core of all music: time signatures and beat variations. The most easy and well-known one is quadruple time, or 4/4. It is used in most pop songs. This is an example:



But within this 4/4 time, huge variations of feel are possible. The two most significant approaches to the 4/4 time are ‘straight’ and ‘swing’ rhythm in drum samples.


The straight one, is as you could probably guess, the most straightforward and the Red Hot Chili Peppers’ song is a nice example.


The swing approach is more difficult to explain. It is mostly found in jazz and sounds something like this:

As you can hear, you can still count to 4, but the feel is really different (and it probably makes you want to move or at least nod your head to the drum samples). This is because the offbeat notes (every second and fourth note) are played as if they were part of a triplet and hence, they are slightly delayed. Essentially this is what makes music that is played in swing so danceable.

Reggae’s unique formula

Now we’re back at reggae. Because what makes reggae so danceable and addictive, is the fact that reggae combines the straight and the swing approach!


In reggae music, every second and fourth note are slightly delayed, just as in swing music. However, the delay usually tends to be less strong in reggae songs as in music with the pure swing approach. In addition, reggae also tends to have more emphasis on the first beat, as opposed to many songs in swing.


This is exactly what makes reggae music so attractive to such a wide scale of different audiences.

Sampling reggae

Because of this unique swing, reggae songs are a popular target for hip hop producers that are looking for samples. One of my personal favourite drum samples usage is Talib Kweli’s: ‘The Perfect Beat”:

which contains a sample of “Do It Twice” a beautiful song by Bob Marley and the Wailers:


Another example is the famous song A Milli by Lil’ Wayne:

which contains a sample of a tune by A Tribe Called Quest that was turned into a reggae/dancehall track by a young Fatboy Slim. What was sampled is a part of the ‘toasts’ by a DJ, which is typical for dancehall tracks

The producer (Bangladesh) took the vocal toast, pitched it down, put some heavy 808 hip hop drum samples (for those interested you can find these on: on top, and created a banger!

 Lastly, since reggae is often acoustic and the drums and percussion usually play an important role, hip hop producers that want to make beats sometimes also just take drum samples from reggae songs.

But it is not only hip hop producers that try to make use of the unique characteristics of reggae music. Dance producers like to do the same thing. A great example is the house remix of Bob Marley’s Sun Is Shining


by Funkstar Deluxe:


So, we can definitely conclude by saying that reggae was, still is, and will be a great source of inspiration for loads of people across our planet, and if you are producing reggae music use the best free drum samples you can find! Yaaa man!


Learn Spanish words while listening to Reggae

For all you reggae lovers out there that want to learn a second and / or new language we have some interesting ideas. An interesting approach to learning a new language is via music. If you’re a fan of toots and the maytals that is good news because many of our newly released songs will be in Spanish. Have you ever dreamt about learning a new vocabulary and traveling to exotic latin destinations outside of Jamaica? Instead of opening a text book or dictionary it can be a lot easier. Especially if you combine learning a new language with an app or software program. Our favourite language learning method is called DashboardSpanish. In my opinion the best and effective strategy to learn Spanish words online.

What are the origins of Spanish reggae songs? Well of course it all started in Jamaica, but as many of you know this Caribbean country is based in a latin part of the worlds. Of course the latina women are among some of the most beautiful in the world and you guessed right, they all speak Spanish! For more poor parts of the world simply taking spanish classes online was not an option. So the people from the islands started to communicate with each other using hand signals and after a while the communication started to improve. Fast forward 500 years and half of the island of Jamaica speaks fluent Spanish. The islands of Puerto Rico, Cuba and the Dominican Republic have great relations with the reggae world and many artists travel around.

Because of this mix of influences and mutual inspiration there was a lot of mixing between these people. This lead to a lot of Spanish albums being recorded in Jamaica. What a crazy thing, right? It’s incredible how simply the power and language of music can be the most well-spoken language in the world. Even more than a global language such as spanish.

What are your opinions personally? Do you feel reggae should always be in English or even French? Or are you open to many different flavours and options and feel you are ready to embrace the latin sensation and learn some spanish words online yourself via songs and music. You can start reading spanish articles sooner than later also. There are also many telenovelas and news articles that bring a world of fascination to you. Much better than simply opening a text book or dictionary if you ask me!

What is up my reggae friends?

What is up my reggae friends?

What is up my reggae friends? I am back with some news. I had an amazing weekend with some cool reggae bands. Last weekend I went to a Toots and the Maytals cover band. Of course no band can compare to the original but they were actually really good. But my weekend wasn’t that simple actually. Otherwise it wouldn’t be a story to tell on this website.

So a few weeks ago I actually was called by the lead singer of the band. He was familiar with my website and my love for reggae music. Of course this is already amazing. To hear that people and even bands are reading and looking at my website is awesome. But it gets better. The singer invited me to travel to Michigan where they were giving a concert. All expenses would be paid for by them including a hotel, and eating with them in different restaurants. In exchange I would write a review and article about their band for this website, giving them some much deserved press. So I packed my bags and went to Michigan with my car. They even paid for my gas expenses which was fantastic.


Upon arrival I met the lead singer and the rest of the band who all seemed to be very nice guys. They were living the reggae lifestyle which you could clearly see. They were cool, easy going and calm. They didn’t have the cultural or ethnical background of the reggae world though. Funny enough they told me that they were all from middle class families and were raised by their parents completely without any reggae culture. They discovered it on their own and loved the lifestyle and music so much that they were drawn to it. They started their band when they were 20 and quickly started covering the big reggae artists, course Bob Marley and Toots and the Maytals. Eventually they decided to become a Toots and the Maytals cover band only.

Cover Bands 

I must admit, I am not always the biggest fan of cover bands. How can they ever be as good as the original band? But I must admit these guys were awesome. They played and sang the Toots and Maytals songs in completely a style of their own. The guitar work is different and the singing was absolutely very different. This makes for an interesting situation. Because they of course present themselves as a cover band and although the lyrics and basic song structures are the same it is still a reggae experience that is completely different than the Toots and the Maytals. I mean this in a positive way. After the show a got a change to see how it worked backstage and we hung out for a while. After that we went to a restaurant

Where I asked why they weren’t writing their own music. They clearly had the talent. The singer told me that they had been thinking about it starting to write their own music but they were still in the progress. They wanted to start preforming their own songs in June and according to them they still had some fine tuning to do. In the future it will be interesting to see if they will transcend just being a cover band and start making and writing music of their own. I am sure that their music will be awesome reggae music and they will be awesome. Now I’m going to put on the free music they gave me and chill back to some of their Toots and the Maytals songs.

My Dutch Experience

My Dutch Advocaat Zwolle Experience

Ahhhh yes, Amsterdam. Of course I would one day go there. The beautiful city of Amsterdam is a temple of reggae culture. Well, certain parts of reggae culture that is. Of course I love to smoke some weed once in a while. Don’t tell anybody. But in all honesty I have wanted to visit Amsterdam in a long time. Now coincidently my favorite band and the subject of this website played in Amsterdam. So of course I had to go. Of course I also wanted to see some of the scenery of Amsterdam and enjoy the culture. Yes I am a very cultural man, man. It has always fascinated me how the legalization of weed came to be and why it is. Lawyers or ‘advocaten’ in Zwolle and other little places in the Netherlands are still very much busy with trying to change legislation. I say Zwolle because I have in fact a friend there who works as a lawyer. I asked him about the weed policy in the Netherlands.



Although many say weed is legal in the Netherlands it is in fact not. I know, such a shame right? But there is good news. The Dutch government thinks that soft-drugs are a problem but it is a problem that is so ingrained in the culture of the Netherlands that it would be impossible to ban it out by making it illegal. So according to the law weed is illegal, but the law is simply not enforced. This means that no cop will stop you if you have weed on your person. You can smoke weed anywhere and anytime in Amsterdam. Of course there are the coffee shops where you can smoke inside but you don’t have to if you don’t want to. Me myself I love to smoke inside the coffee shops because in many of them they play reggae music. I spoke to one of the coffee shop owners and asked him where they got their weed. Here is something interesting, they won’t tell you. Because although you won’t get arrested for selling or smoking weed in Amsterdam. You will get arrested for growing it. Well sort of, a citizen of the Netherlands can grow five cannabis plants by himself for personal use. Any more than five and you will be arrested. So although coffee shops can sell weed they will never tell their source of weed supply to people or the police. They have to act like it ‘just appears’. I know, it is such a weird system. But millions of Dutch people and tourists from all over the world are enjoying its benefits. It makes Amsterdam the city it is and brings in millions and millions for the government because of all the tourists that visit. Other cities in the Netherlands just don’t have that special international appeal that Amsterdam has. My lawyer friend which in Zwolle they call ‘advocaat zwolle’ told me that nobody smokes weed in Zwolle and it has no tourists whatsoever.

advocatenBut I am going to stop talking about weed. I came to Amsterdam for another reason. Our favorite band was playing in ‘Melkweg’ and I was stoked to see them. I did smoke a little before to get in the best vibe I could be in. Off course some people say that your experience of music will be less when you are under the influence of drugs. I completely disagree. When I’ve smoked a little the music becomes even better. The Melkweg is a beautiful club and very good for concerts. I heard it also functions as a nightclub. I met some awesome people while at the concerts and they showed me around in Amsterdam the days afterwards. Then I spent 2 nights at my advocaat friend in Zwolle.

Reggae and Salsa. Getting Personal: My Amsterdam Salsa trip

Getting personal

Apart from being an amateur reggae singer and guitar player and of course one of the biggest fans of Toots and the Maytals, I like to dance. And not only to reggae, but also to salsa music. Now, I just got back from a holiday full of salsa dancing in Amsterdam. And while I don’t think I have to explain the link between Amsterdam and reggae, I think the link between salsa and reggae can use some explanation.

In the last article, I wrote about the unique feel or swing of reggae music, and why that makes you want to dance. It goes without saying that the feel of salsa music, although it also wants to make you dance, is completely different to the one of reggae. I can’t take all the credit I learned a lot from my teacher at my personal best Salsa Amsterdam dancing school. However, there are some interesting familiarities between the two music styles that I would like to discuss.

Blending genres

First of all, both genres have their roots in the Caribbean islands, only a few hundred kilometers away from each other: Jamaica for reggae and Cuba for salsa. Both genres were born out of a mixture of two other genres, one being indigenous, and the other one being non-native.


For reggae, this was Mento and the foreign rhythm and blues. In the case of salsa, Spanish folk music was mixed with the music from the slaves that were kidnapped from Africa. The music of the latter was characterized by rousing rhythms and the question and answer style of singing (the lead singer sings something, which is repeated or answered by the other band members). Hence, the accompanying melodies and chord constructions in this root version of salsa that is called ‘Son’ have a European character; wile the rhythm and the singing have an African character. Mostly former slaves from the Ivory Coast and Angola have had much influence on the Son. It is striking how cheerful and upbeat the music sounds, despite the difficult times that the slaves must have had in Cuba.

The song “Chan, Chan” by the Bueno Vista Social Club is one of favorite examples of the Son music genre:


In addition, percussion plays an important role in both musical styles, as they are the propelling force of the rhythm and thus the feel of the song. Guiros, toms, shakers and especially timbales are vital in a lot of reggae songs. A lot of reggae songs even start with a Timbales fill. For example, check out the beginning of this awesome Bob Marley song (or just the entire song of course):

Here’s a lot of overlap with salsa music percussion: Timbales, guiros, and shakers are, next to congas and bongos, more than regular features in salsa songs.

Amsterdam Salsa

Picture from an Amsterdam Salsa dance show setup. Exactly the same as a Reggae Show


But what I like most about salsa that I kind of miss in the contemporary reggae scene, is the dance community. During my two and a half weeks in Amsterdam I danced a lot. And what I keep noticing is that in the salsa community, parties are organized specifically as dance events, and where actually everyone dances. In my opinion, that is different to the contemporary reggae communities. The reggae parties are absolutely awesome, but there is not such a strong emphasis on dancing. And that’s why, sometimes, I wish the current-day reggae scene would resemble the old-style sound system trucks reggae parties a little bit more! But then again, there is no place where the atmosphere is better than at the modern reggae parties even though the Salsa Amsterdam scene is incredible!! Plus there are so many beautiful women. Hope to see you there!


One love!

Welcome to the Toots And The Maytals Site!

Welcome to the Toots And The Maytals Site!

Finally! the Toots and the Maytals fan site is back! I hope you have a wicked stay and learn much more about my personals heroes and icons from the Toots and The Maytals Band. Want to know more about me? I’m Isaac Barrington the author of this website. Read my store here! Got any requests or suggestion please do contact me.

I will leave you for now with the Rototom Sunsplash epic 2011 performance by Toots!




Want to know the real Reggae background history?

Want to know the real Reggae background history?

When Christopher Columbus goes ashore after a long journey across the ocean in 1492 he initially is not in America but in Jamaica. The Spaniards first kill all the aborigines and then try to defend it against the British with their slaves brought from Ghana. But it doesn’t work. The Ghanaian slaves decide to hide in the woods and the island falls into the hands of the British. In the centuries that follow, they fill Jamaica with Angolan and Indian slaves. Therefore, Jamaica has traditionally hosted many different cultures, all of which brought their own folk music, as well as their faith and the accompanying sacred music. This has resulted in a music culture with a unique mixture of styles.

Dance Styles

One is the danceable Mento, which is very popular until 1950. When the small radio sets become affordable in the fifties, however, Jamaica turns into an island of Rhythm and Blues that is emitted from nearby New Orleans. Music fans regularly travel back and forth to this American city to buy single LPs of the popular Rhythm and Blues bands and artists. Back in Jamaica they then play those LPs during parties and celebrations. This leads to the very first sound systems: a music installation that is anchored on a sound truck, which provides feasts of music. After a while, more and more of these party trucks where created, which resulted in a lot of competition between these moving discotheques. The popularity with the public must continually be earned over and over again. Staying ahead of the competition was mostly a matter of always having the latest and greatest music. That music was at that time manufactured by the people themselves, recorded and produced entirely in self-owned recording studios.

Most of the music of these Jamaican musicians that played and recorded in the late fifties and early sixties strongly resembled the American rhythm & blues. To please the crowd that always wanted to dance, they play it pretty fast and they omit the quieter and more tranquil passages. After several years of experiencing and adapting, this results in Jamaica’s own music genre: Ska. This is characterized by a dominant after (or off-) beat rhythm, in which the guitar accentuates the second and fourth beat in quadruple time. Ska is initially instrumental, so without any vocals, simply because it was initially intended as dance music. However, some sound system DJs try to sing to it, or since the fast pace of the music, they try to speak to it in a high pace.


While the freedom is widely embraced and celebrated in the beginning, the quality of life starts declining for the majority of the population. As a result, DJs and musicians begin to express their dissatisfaction through an, on purpose, somewhat slower variant of Ska, named Rocksteady. The languid music allows for loads of emotion to be put in the vocals and even to the adding of beautiful choral harmonies.

In the late sixties, the Ska and Rocksteady genres slowy become exhausted and producers, their bands and their sound systems start looking for something new. This leads to the coupling of the Rocksteady music to the typical rhythm of the twenty years earlier so popular mento. And so: the reggae genre was born.
Some believe that the ‘real’ establishment of the term reggae is in 1968, when Toots and the Maytals used it for the first time in their Rocksteady hit: “Do the Reggay:



As we now all know, the reggae music genre has truly conquered the world. Nowadays you can find reggae almost everywhere; from Europe to the Caribbean and from Latin America to Australia.

On the one hand, this is thanks to the charismatic personality of Bob Marley, who put the genre on the map in the seventies. But the immense success of reggae is also due to the clear political and social identity of the reggae artists to which especially huge amounts of people in many third world countries can relate.

More specifically, the lyrics of many reggae songs link directly to Africa. The artists often use stories about the years of colonization and enslavement of many countries in Africa as inspiration. The rebelling against the government and the movement that strongly criticized the authorities are the inspiration of many famous artists. This ensures recognition by people from many parts of Africa and that’s why the music has been and still is so widely embraced there.

Reggae is of course not the end destination of the musical evolution; out of Reggae multiple sub genres have arisen:

The Reggae Movement!

In the 1970s, the Roots Reggae movement comes into existence. Roots Reggae artists try to return to the core of reggae, where it all began: the ghettos of Kingston. This subgenre is also often associated with people glorifying the Rastafari faith.

Famous names are Burning Spear, Black Uhuru, The Wailers and The Wailing Souls.

Around the same time, the reggae music gets new influences from black soul music. Close harmony singers like Curtis Mayfield and Marvin Gaye become the example for reggae artists and thus for a new version of reggae. Reggae artists then start to create polyphonic vocals and even covers of soul songs. Sometimes the soul reggae artists simply sing soul on top of a reggae song.

Known representatives of this style are Heptones, The Wailing Souls, The Maytones and Horace Andy.

Even before the 70s, the dub genre is formed out of the rocksteady and reggae music. The early dub music songs are usually instrumental versions of existing songs. These dub versions were made to be played at the earlier described sound systems on which the DJs would try to speak. Dub soon became very popular. King Tubby was the first to add a variety of sound effects to existing records. With the much later invented mixers and samplers, dub artists started adding increasingly weird effects and slow hypnotic bass lines. A common effect in dub music is the echo.

Known names in the dub his King Tubby, Joe Gibbs, Lee Perry and Mad Professor.

In the mid-1980s, the computer and the digital recording technique become more and more popular. In the studio many instruments can be digitally simulated. In Jamaica, this leads to the birth of the Ragga genre: dance music (often with vocals) combined with electronic instruments.

Famous names are Shaggy, Chaka Demus, Shabba Ranks and Buju Banton. Ragga has a faster variant in the dancehall music.

As talked about before, reggae also becomes incredibly popular in Africa, which leads to artists and bands mixing reggae with African music and thus to an African subgenre of reggae.

Known African reggae artists are Alpha Blondy (Ivory Coast) and Lucky Dube.